Marston (1893-1947) published his DISC theory in Emotions of Normal People (1928), built an early lie detector on systolic blood pressure, and created Wonder Woman for All Star Comics #8 (1941) under the pen name Charles Moulton. His household included wife Elizabeth Holloway Marston and partner Olive Byrne, niece of birth-control pioneer Margaret Sanger. He described the comic openly as psychological propaganda for female rule.
The comics ran on bondage imagery: Wonder Woman tied up in nearly every issue, Amazons enslaving men on Transformation Island. Critics called it perverse; Marston called it educational, arguing that submission to loving authority was the path to peace. His widow and Byrne continued the household after his death.
A reading popular among occult-minded critics holds that Wonder Woman functioned as a mass-distributed enchantment: sigil-like costume, mantra-like submission theme, millions of young readers as unwitting participants. Marston never claimed magic, only psychology, but the mechanics rhyme.
Was Wonder Woman ever a superhero comic, or a serialized behavioral program that happened to sell at newsstands?