Michael Bertiaux, a Chicago-based occultist with a philosophy background, developed the Voudon Gnostic system through the Monastery of the Seven Rays (founded in the 1960s) and correspondence courses, published in collected form as The Voudon Gnostic Workbook (1988, Weiser). The system maps lwa onto an esoteric physics of 'points chauds', hot points, and meonic energies. Kenneth Grant championed Bertiaux's work, weaving it into the Typhonian corpus.
The Workbook is famous for its dense hand-drawn diagrams, spirit-maps that look like circuitry, which circulate online as aesthetic objects divorced from the correspondence-course instruction they index. Practitioners insist the diagrams are instruments, not illustrations.
Bertiaux's wager is that any spirit system is a notation, and notations can be compiled: Vodou, Gnosticism, and quantum-flavored jargon are interchangeable syntaxes over one metaphysical machine. It is the most explicitly computational occultism prior to chaos magic's results-based pragmatism.
If spirits can be described in notation, is that mysticism or a compiler?