Golmi appears in Psalm 139:16 as unformed matter; Talmudic tradition imagines Adam as a golem before receiving a soul. No contemporary writing of Rabbi Loew or his disciples mentions any golem. The Prague legend first surfaces in print in the early 1800s, was standardized by Leopold Weisel's Der Golem in 1847, and exploded after Yudl Rosenberg's 1909 Nifla'ot Maharal, a fabricated antique text.
Early versions had the golem fetching water and chopping wood. Only in the twentieth century, amid pogroms and then the Nazi threat, did it become the ghetto's defender: journalist Egon Erwin Kisch invoked it against the Nazis in 1938. Folklorists read the shift as communities rewriting the monster into the protector they needed.
Comics scholars and creators note the lineage: Siegel, Shuster, Kane, Lee, and Kirby were all Jewish, and Kirby once drew his rock-skinned Thing as a rabbi on a family Hanukkah card, unmistakably golem-like. The superhero as American golem is a live thesis in comics studies.
If the original superhero was a hoax manuscript about a clay man, what does that say about the truth status of every protector myth we still tell?