Mandrake the Magician began syndication in 1934, written by Falk and drawn by Davis. His power is speed-hypnosis: subjects see whatever illusion he projects. His backstory places his training at the Collegium Magikos in the Himalayas. Falk also created The Phantom in 1936. The Library of Congress catalog describes Mandrake as the first costumed crime fighter.
Falk drew on the era's fascination with stage magic and Eastern mysticism, and on his own fascination with illusion; he wrote under a theater background and gave Mandrake a tuxedo because that is what a magician wears. The strip ran for over 80 years, outliving nearly every imitator.
Mandrake establishes the template the video essays keep rediscovering: Himalayan initiation, hypnotic mind-power, stage persona as cover identity. Esoteric readers call the strip the moment Western pop culture normalized the idea that illusionism is the visible face of real power.
If the first superhero fought with hypnosis learned at a hidden Himalayan college, was the genre born occult and only later disguised as science fiction?